VOLUME ONEThese tracks were restored from vinyl pressings, lathe-cut acetates and 1/4 inch tape. No multi-tack tapes were used. Most were monaural, a few stereo. All had been in boxes for over 35 years--five of those years in an outdoor storage facility lacking protection from the elements. Much of the material was degraded; most of the vinyl far from mint, and the tapes had print-through, shattering, oxide loss, etc.
We converted to digital files and processed everything using an old version of Cool Edit Pro 1.2, and a few DB Audioware dynamics processors. In difficult cases we used the powerful and effective, "Eye of newt, toe of frog, wool of bat, and tongue of dog."
All original recordings were produced by Ellie Greenwich and Michael Rashkow unless otherwise noted. Nothing has been added except the short guitar solo on Those Country Girls created by Duke Rashkow.
The credits provided are sparse. There were no documents and many of the people involved can't be located, have died, or have "old folks" memory. We will continue to update as additional information becomes available. If you can help, please contact us at: email@DarnGoodRecords.com
"COMMENTS" are by Michael Rashkow and reflect his memory and personal viewpoint.
VOLUME ONEArranged by Stanley Schwartz
Recorded at Broadway Recording by Pat Jacques and Michael Rashkow
Mixed by Michael Rashkow
Source: Stereo master dupe
Lead Vocal: Ellie Greenwich
Bass: Chuck Rainey or Jerry Jemmott
Drums: Bernard Purdie
Piano: Richard Tee
Percussion: George Devens or Warren Smith
Guitars: [Probable] Vinny Bell and Sal DiTroia or Eric Gale
Horns: [Probable] Artie Kaplan, Heywood Henry, Buddy Lucas, Marky Markowitz, Bernie Glow, Seldon Powell, others
Backing Vocals: Ellie Greenwich, Tasha Thomas, and [Probable] Sylvia Shemwell and Estelle Brown or Melba Moore.
Arranged by Steve Tudanger and Stanley Schwartz
Rhythm track recorded at unknown studio by unknown engineer
Additional recording and mix by Michael Rashkow at Broadway Recording
Source: Mono vinyl
Lead Vocal: Steve Tudanger
Bass: [Uncertain] Jule Ruggiero or Russell George
Drums: Herb Lovell
Piano: Steve Tudanger
Guitars: Vinny Bell and [Probable] Sal DiTroia
Horns: [Unknown]
Backing Vocals, Steve Tudanger, Ellie Greenwich
COMMENTARY: This was a good demo so we took the rhythm, over-dubbed it with additional instrumentation and re-did all the voices. There is a piano mistake in the instrumental section that is apparent on the track but seems to be covered by the background voices in the final.
This record has a strange history. It came out first on Mercury and went nowhere in a hurry--hardly got any airplay. We believed it had legs and could still be a hit, so we bought it back from Mercury and resold it to Steve Bedell at Wes Farrell's Chelsea Records. It went nowhere on that label either since the news that it had already been out on Mercury got back to them fast and they pulled it. We got a letter from Steve Bedell saying that if what we did wasn't illegal (it wasn't), then it was the most unethical thing he had ever encountered. I disagreed with him then and I disagree with him now. Had they pushed it and it became a hit, he would not have cared at all.
NOTE: Both the demo, and the music track with no voices will be included on Volume 3.
Arranged by The Daily News
Horn Arrangement by Ellie Greenwich (not kidding--and not bad)
Recorded at A&R Recording, 48th St., by [Probable] Donnie Hahn
Mixed by [as above]
Source: Mono vinyl
Lead Vocal: Frankie Paris
Bass: Harry Holt
Drums: Ronnie Easley or Herb Lovell
Guitars: Wayne Holt and [Probable] Everett Barksdale
Piano: Michael Rashkow
Keyboards: Ron Frangipane
Trombone: Garnett Brown
Trumpets: [Unknown]
Backing Vocals: Billy Carr, Nick Ashford, Frankie Paris, Ellie Greenwich
COMMENTARY: For many years, lead singer Frankie Paris had a meaningful career as a R&B/blues performer in NY and the northeast. He passed away suddenly in late 2008. Good singer, nice guy. Google him or search him at YouTube for more.
Arranged by Hugh McCracken
Produced by Michael Rashkow (track produced by Rashkow & Greenwich)
Recorded at Broadway Recording by Michael Rashkow
Mixed by Michael Rashkow
Source: Stereo 1/4-inch tape reference mix
Lead Vocal: Jesse Henderson
Bass: [Probable] Russell George
Drums: [Probable] Bernard Purdie
Guitars: Hugh McCracken and [Probable] Eric Gale, Al Gorgoni or Sal Ditroia
Piano: Richard Tee
Hammond B3: Michael Rashkow
Horns and Strings: Unknown
Backing Vocals: Tasha Thomas, Deniece Williams, two others [Unknown]
COMMENTARY: There is some possibility that the rhythm track was originally recorded at Fame Studio in Muscle Shoals by Mickey Buckins, and part was retained, then over-dubbed to complete the track in NY. No one remembers, no one knows. Best guess is the Muscle Shoals track was discarded and not used at all, so the musicians shown are those I believe to be correct. Ellie and I produced the track and I finished it two years later myself. This stereo was taken from a reference mix and, on a vote, most people chose it over the mono. Not sure it was the right one. The mono is warmer and more balanced. We'll put it on Vol. 3.
Arranged by Bob Schiff
Recorded at Universal Recording, Chicago, IL by unknown engineer
Source: Vinyl
Lead Vocal: Unknown member of The Hardy Boys
Bass: Phil Upchurch
Other musicians unknown
Background Vocals: Ellie Greenwich, others
COMMENTARY: We traveled to Chicago to produce three songs we wrote for the second Hardy Boys LP. Studio, arranger and musicians were provided by the Hardy Boys regular producers: Bill Traut, Jim Golden and Bob Monaco. We liked arranger Bob Schiff's work, and later brought him to NY to do several sessions. There was a young lead guitar player among the session musicians who was very capable, but his name escapes me.
Arranged by The Fuzzy Bunnies
Strings and Horns arranged by Artie Schroek
Recorded at Decca Recording Studios by unknown engineer
Source: Mono vinyl
Lead Vocal: Roger Valdez
Bass: Ronnie Blanco
Drums: Roger Valdez
Guitar: Chuck Alden
Keyboards: John Turi
Background Vocals: The Fuzzy Bunnies
COMMENTARY: We wanted Artie Butler to orchestrate this and went to CA to do it with him out there. He firmly disagreed with my ideas, so we took it back to NYC and got Artie Schroek. Good move that--he nailed it in the heart! I liked it then, I love it now. Way-to-go Schroekie!
Arranged by Greenwich and Rashkow
Orchestrated by Hutch Davie
Recorded at Broadway Recording by Michael Rashkow and Pat Jaques
Mixed by Michael Rashkow
Source: Mono master dupe
Lead Vocal: Ellie Greenwich
Bass: Chuck Rainey or Jule Ruggierro
Drums: Bernard Purdie
Piano: Ellie Greenwich or Michael Rashkow
Guitars: [Probable] Vinny Bell and Eric Gale
Horns and strings: The usual suspects
Background Vocals: Ellie Greenwich and [Probable] Tasha Thomas, Valerie Simpson and/or Melba Moore
COMMENTARY: The original mix was not very good so there was little opportunity to improve the overall sound on this one.
Arranged by the ladies of Charity and the boys in the band
Recorded and mixed at Sterling Sound by unknown engineer
Source: Mono 1/4 inch tape reference mix
Lead Vocal: Unknown member of the group Charity
Bass: Chuck Rainey
Drums: Bernard Purdie
Piano: Richard Tee
Guitar: Cornell Dupree
Background Vocals: The Ladies of Charity
COMMENTARY: We found this group performing gospel at Washington Temple, Brooklyn, NY, and thought they could do R&B. We had a particular track in mind which had been cut for the Definitive Rock Chorale; the Everly Brothers classic, "Bye Bye Love" done in 6/8 time. It didn't work well for the DRC and it didn't work well for this group. Still, we loved their sound, so decided to make some demos and named them Charity--kind of carrying the gospel thing forward as it were. Five adults, with families and jobs, who traveled to Manhattan on the subway and put in a lot of time rehearsing--their names are lost in history, but this demo is owed to them. They pinned the VU meter and sang like avenging angels--but simply too gospel to take commercial. Too bad, they were sweet people.
Arranged by Ellie Greenwich and Mike Rashkow
Orchestrated by Bob Schiff
Recorded at Broadway Recording by Michael Rashkow
Mixed by Michael Rashkow
Source: Mono master dupe
Lead Vocals: Ellie Greenwich and Danny Infantino
Bass: [Probable] Russell George
Drums: [Probable] Herb Lovell or Al Rogers
Piano: [Probable] Ellie Greenwich
Guitars: [Probable] Sal DiTroia and or Al Gorgoni
Background Vocals: Danny Infantino, Ellie Greenwich, Ron Dante, unknown others
COMMENTARY: This song was written for and recorded by The Hardy Boys TV series. It did nothing. Our agreement with 20th Century Fox included a provision that gave us ownership of the demo. We used the rhythm from the demo, brought Bob Schiff in from Chicago and had him do essentially the same chart he had done for the Hardy Boys in Chicago, then we voiced it and released it as The Definitive Rock Chorale, a name that may have been the kiss of death-this was probably the best song we wrote together. Wait until pot is legalized--someone will pay a fortune for the rights to use it as a jingle.
Arranged by Ellie Greenwich and Michael Rashkow
Strings arranged by Hutch Davie
Recorded and mixed at Broadway Recording by Michael Rashkow
Source: Mono vinyl
Lead Vocals: Ron Dante and Ellie Greenwich
Bass: [Probable] Russell George or Jule Rugierro
Drums: [Probable] Al Rogers
Piano: [Probable] Ellie Greenwich
Guitars: [Unknown]
Horns and Strings: The usual suspects
Background Vocals: Ellie Greenwich, Ron Dante, others unknown
COMMENTARY: Well, pretty sloppy and over-produced DRC anthem.
Arranged by The Fuzzy Bunnies
Recorded and mixed at Bell Sound Studio A by Eddie Smith
Source: Mono vinyl
Lead Vocal: Chuck Alden
Bass: Ronnie Blanco
Drums: Roger Valdez
Guitar: Chuck Alden
Keyboards: John Turi
Background Vocals: The Fuzzy Bunnies
COMMENTARY: No comment.
Arranged by Pete Dino
Recorded at unknown studio in NYC
Mixed by Michael Rashkow at [Probable] Broadway Recording
Source: Mono master dupe
Bass: [Probable] Russell George or Jules Ruggiero
Drums: [Possible] Herb Lovell or Al Rogers
Piano: Steve Tudanger
Guitar: [Probable] Sal DiTroia
Strings and Woodwinds: The usual suspects
COMMENTARY: This was originally a demo. The tune didn't fit Tudanger's voice, but we needed a B-side for a DRC single. Ellie suggested we get Tony Pass (Passalaqua), formerly of The Fascinators (subsequently a founding member of the successful oldies group, The Legends Of Doo Wop) to do the vocal. Good choice, super performance. Pete Dino did a lovely chart and there you have it: a great B Side. The song later became a major hit in South America for Steve Feldman-we like this version a lot.
Arranged by Bob Schiff
Recorded at Universal Recording, Chicago, IL by unknown engineer
Source: Vinyl
Lead Vocal: Unknown member of The Hardy Boys
Bass: Phil Upchurch
Other musicians: [Unknown]
Background Vocals: Ellie Greenwich, others
Arranged by Stanley Schwartz
Recorded at Broadway Recording by Michael Rashkow and [Probable] Pat Jaques
Mixed by Michael Rashkow
Source: Mono tape dupe reference mix
Personnel: See "Ain't That Peculiar: except:
Lead Vocal: Billy Harner
Bass: Jerry Jemmott
Background Vocals: Tasha Thomas, Ellie Greenwich, others
COMMENTARY: This is one of four songs originally intended for a singer named Joe Hill, but his manager refused to let him sign a contract the night before we left for Muscle Shoals so we went down without him and did the tracks without a voice. We tried at least one other singer on this track before contacting Billy Harner. I think we mailed him an acetate of the track and another with a rejected vocal. He came in ready to rock & roll-and he did! Harner never made a national impact but was then, and still remains, " the man" in the NJ/Philly region. Surprisingly, we could never get a label to take this. It was the last record Ellie and I made together.
Arranged by Steve Tudanger and Stanley Schwartz
Recorded at Broadway Recording by Michael Rashkow
Mixed by Michael Rashkow
Source: Master tape dupe
Lead Vocal: Steve Tudanger
Bass: [Probable] Jule Ruggiero or Russell George
Drums: [Probable] Herb Lovell
Piano: Steve Tudanger
Guitars: Vinny Bell and [Probable] Sal DiTroia or Everett Barksdale
Background Vocals: Steve Tudanger, Ellie Greenwich and Michael Rashkow
COMMENTARY: This was originally a demo done on the same date as "Everybody's Talkin' 'Bout You Now", then we added strings and horns. The background voices sound like they came off the demo and I think they were done in the control room of Studio B at Broadway Recording. If you notice a background voice that is off pitch, it is mine. This was intended to be Stevie's second A-side on Mercury but somewhere along the line it became the B-side on Chelsea and RCA Canada (see "Everybody's Talkin' 'Bout You" for more about that).
Arranged by Hutch Davie
Recorded at A&R Studio A by Roy Cicala and Donnie Hahn
Mixed by either Roy Cicala or Donnie Hahn at A&R or Michael Rashkow at Broadway Recording
Source: Mono vinyl
Lead Vocal: Stuart Nitekman
Bass: Jule Ruggiero
Drums: [Probable] Gary Chester
Piano: [Probable] Frank Owens or Paul Griffen
Guitars: [Probable Vinny Bell and Al Gorgoni
Strings and Horns: [Probable] Artie Kaplan and the usual suspects
Background Vocals: Stuart Nitekman, Paul Levinson and Ira Margolis
COMMENTARY: Tracks for this, "Hung Up On Love" (re-released on Rhino) and "No Olympian Height" (on Volume 2) were done on the same date. Pretty much the same personnel were used. Many musicians. We put a lot of time and effort into this material--thought it was good stuff. Came out on Atlantic and never floated. Go figure. One reason might be that the tempo kind of ran away with itself--I slowed it down for this re-release.
NOTE: Toni Wine added her voice to the "ahhhs" on the last bar of the bridge.
VOLUME TWORhythm arranged by Teddy Randazzo
Horns arranged by Pete Dino
Recorded at Sounds on Broadway by Michael Rashkow and Guy Costa
Additional recording at A&R Studios Engineer [Unknown]
Mixed by Michael Rashkow
Source: Vinyl
Lead Vocal: Benny Thomas (aka Christopher Robin)
Bass: [Unknown]
Drums: [Unknown]
Piano: [Probable] Teddy Randazzo
Guitars: [Unknown]
Background Vocals: Mikie Harris, Jean Thomas, Ellie Greenwich, others
COMMENTARY: Originally this was a song demo done by Teddy Randazzo, but he wasn't able to get it recorded. I proposed that he let me have the track and try to turn it into a master. It was on 4-track. I took off the voice and mixed the rest to one of the four, and then numerous overdubs were done by bouncing tracks for doubles of voices and percussion, and then mixed down again to open up a track for horns. Most of the original rhythm got lost in the process, so I synced two 4 track machines together and copied the original rhythm back again. That's when the flanging (phase shift) occurred. Initially it was quite present and sounded like the attack of the Martians, but additional O.D's pushed it into the background. It got so that everything was in mid-range and fighting each other plus no Dolby and way too many generations. It was a mess when I got done and it isn't much better now. Although it was essentially my production (and I take the blame for it), it became the first " Pineywood" release since it was during the process that Ellie and I decided to team-up. She contributed much of the late stages.
Arranged by the Fuzzy Bunnies
Orchestrated by Ron Frangipane
Prototype Moog Synthesizer programmed by Walter Sear
Recorded at Bell Sound Studio A by Eddie Smith and Decca Recording Studios by [Unknown]
Mixed at Decca Studios by [Probable] Michael Rashkow
Source: Vinyl
Lead Vocal: Roger Valdez
Bass: Ronnie Blanco
Drums: Roger Valdez
Hammond B3: John Turi
Guitar: Chuck Alden
Horns: [Unknown]
Moog: Ron Frangipane
Same credits as "May My Heart Be Cast Into Stone", Volume 1, Track 16.
Recorded [Probable] at Bell Sound Studio C by [Unknown] Engineer
Mixed by [Unknown]
Source: Vinyl
All musicians unknown
Keyboards: [Possible] Ron Frangipane
Lead Vocals: Michael Rashkow and Stuart Nitekman
Background Vocals: Paul Levinson, Stuart Nitekman, Ira Margolis, Ellie Greenwich
COMMENTARY: Again, this was a song demo that was sweetened to put on a "B" side-and though credited on this CD to The Other Voices because they really did it, it was released as the Definitive Rock Chorale for a "B" side.
Arranged by The Players and Michael Rashkow
Recorded at Broadway Recording by Michael Rashkow and [Unknown]
Mixed by Michael Rashkow
Source: Acetate
Lead Vocal: Jimmy Radcliffe
Bass: [Unknown]
Drums: [Unknown]
Piano: [Probable] Michael Rashkow
Backing Vocals: Jimmy Radcliffe and [Unknown] others
COMMENTARY: This is a song demo which was picked up immediately by the producer George Kerr who happened to be in the studio when the demo was mixed. He recorded it with his soul group, The Whatnauts, and it charted for about a minute and a half. I chose to include it because the demo is very different than how Kerr and his group did it, and because Jimmy Radcliffe (a big talent who died young) sings it so well. So this is an homage to him as well as the opportunity to show the song as it was written.
Arranged by Bob Schiff
Recorded at A&R Studios by [Probable] Phil Ramone or Tony May
Additional recording and mixed by Michael Rashkow at Broadway Recording
Source: Vinyl
Lead Vocal: Ellie Greenwich
All musicians unknown
Background vocals: Ellie Greenwich and unknown others
COMMENTARY: Larry Uttal. owner of Bell Records, wanted us to do this song, so we did. Ellie wasn't in good voice at the time and the song did not suit her well, IMHO. So there you have it.
Arranged by the Fuzzy Bunnies
Orchestrated by Ron Frangipane
Recorded at Bell Sound by Eddie Smith
Mixed by Eddie Smith or Michael Rashkow
Source: Vinyl
Lead Vocal: Chuck Alden
Bass: Ronnie Blanco
Drums: Roger Valdez
Guitar: Chuck Alden
Keyboards: John Turi
Strings and Woodwinds: The usual suspects
Background Vocals: The Fuzzy Bunnies
Arranged by Steve Tudanger and Stanley Schwartz
Recorded at Broadway Recording by Michael Rashkow
Mixed by Michael Rashkow
Source: Acetate
Lead Vocal: Steve Tudanger
Bass: [Probable] Jules Ruggiero or Russell George
Drums: Herb Lovell
Piano: Steve Tudanger
Guitars: Vinny Bell and [Probable] Sal DiTroia
Horns: [Unknown]
Backing Vocals, Steve Tudanger, Ellie Greenwich
Arranged by Rashkow, Greenwich and The Band or Ron Frangipane
Recorded at Broadway Recording by Pat Jaques and Michael Rashkow
Mixed by Michael Rashkow
All Vocals: Ellie Greenwich
Bass: [Probable] Chuck Rainey or Russell George
Drums: [Probable] Bernard Purdie
Guitar: Vinny Bell and [Unknown]
Piano: Michael Rashkow
Hammond B3: [Unknown]
Piano Solo: Michael Rashkow (overdubbed after two week rehearsal)
Trumpets: [Unknown]
COMMENTARY: The 5:17 was the train I often took going home from NYC. I have no idea what started me writing this thing-it was way out of my comfort zone, but I had the idea of something that sounded like a train pulling out of the station and rolling down the tracks. I just started playing some chords and singing a scat melody and with Ellie's help it kind of wrote itself. The idea of doubling trumpets with voice came from having heard it by the jazz player Conti Candoli who did trumpet/voice doubles with the great vocalist Caterina Valente.
Arranged by The Daily News
Horns Arranged by Meco Monardo
Recorded at A&R, 48th St., by [Probable] Donnie Hahn
Mixed [Probable] Donnie Hahn or Shelley Yakus
Bass: Harry Holt
Drums: Ronnie Easley
Guitar: Wayne Holt
Hammond B3: Richard Tee or Paul Griffen
COMMENTARY: This funky tune was something the group used as a play-on/play-off theme for their sets at Birdland at the time we first met them. We needed a B-side of the first record we cut them on, a cover of the Soul Sisters "I'm In The Mood" and this was it. Not bad.
Arranged by The Fuzzy Bunnies
Orchestrated by Ron Frangipane
Recorded at Bell Sound Studio A by Eddie Smith
Mixed by Eddie Smith
Lead Vocal: Roger Valdez
Bass: Ronnie Blanco
Drums: Roger Valdez
Guitar: Chuck Alden
Hammond B3: John Turi
Strings and Horns: [Unknown, but there were plenty of them]
Background Vocals: The Fuzzy Bunnies
Arranged by Steve Tudanger and Ron Frangipane
Recorded at [Unknown]
Mixed by [Unknown]
Lead Vocal: Steve Tudanger
Bass: [Unknown]
Drums: [Probable] Al Rogers
Guitar: Vinny Bell and [Probable] Sal Ditroia
Piano: Steve Tudanger
Background Vocals: Steve Tudanger, Ellie Greenwich
Arranged by The Players
Produced by Michael Rashkow (track produced by Rashkow & Greenwich)
Horns arranged by Harrison Calloway
Recorded at Fame Studios, Muscle Shoals, AL by Mickey Buckins
Additional recording and mixing by Michael Rashkow at Broadway Recording
Lead Vocal: Jesse Henderson
Bass: Jesse Boyce
Drums: [Probable] Freeman Brown
Guitar: Junior Lowe and Travis Wammack or Jimmy Johnson
Piano: Clayton Ivey
Horns: Harrison Calloway, Ronnie Eades, Harvey Thompson or Aaron Barnett
COMMENTARY: Recording in Muscle Shoals was a highlight in my short career; the best players, the easiest people to work with, and the best lunch I've ever had. This kind of thing was cake for those people-right in their wheelhouse. Two years or more down the road I found Jesse Henderson singing in Atlantic City. I had him voice this track, Glory Road (on Vol. 1) and We Must Have Love (Trk. 16 here). I don't know what I was smoking or thinking when I added all that echo to the mix, but I can tell you what I'm sure about-there is no way to remove echo. If you know how to do it, please contact me, I'd sure like to get it off there. Jesse was way too good to end up sounding like he was singing in the bottom of a well.
Arranged by The Players
Recorded at mixed [Probable] at Broadway Recording by Michael Rashkow
Musicians unknown, except:
Piano: Ellie Greenwich
Guitar: Hugh McCracken
Lead Vocal: Mike Rashkow
Background Vocals: Ellie Greenwich
Guitar Solo: Duke Rashkow (in 2009) direct to digital at his home
COMMENTARY: This was a demo for The Hardy Boys and that's what it remained. Ellie wrote the music and I wrote the lyric. It was a slam dunk-it took about a half hour. It is included to prove that I could sing on pitch--sometimes.
Concept: Michael Rashkow
Arranged by Sammy Lowe
Vocal Arrangements by Ellie Greenwich
Recorded at Bell Sound Studio A and Studio B by Tori Brainerd
Mixed by Tori Brainerd
Vocalists: Johnny Cymbal, Ellie Greenwich, Michael Rashkow, Terry Cashman, Tommy West, Lesley Miller, Toni Wine, Kenny Karen, Jimmy Radcliffe, [Probable] Ron Dante. Valerie Simpson, others
Bass: [Probable] Joe Macho or Bob Bushnell
Drums: Herb Lovell
Guitars: Alan Ferguson and [Probable] Cornell Dupree or Carl Lynch
Piano: [Probable] Frank Owens
Horns: Joe Newman, Snooky Young, Jerome Richardson. [Probable] Seldon Powell, others
Strings: [Unknown]
NOTE: The Latin section was created and sung by a young lady from Puerto Rico. Her name is gone from my memory--she did a great job. The saxophone solo on the out chorus was done by the masterful jazz icon Jerome Richardson-an honor to have him on my record. Under pressure and at the last moment Ellie Greenwich created the little fugue section-a gem for sure, and Jimmy Radcliffe channeled James Brown.
COMMENTARY: Absolutely my best work and favorite record. Sammy Lowe deserves a lot of credit for understanding perfectly what we wanted and writing a great chart. Mercury/Philips honcho Charlie Fach thought this was a hit and got his promo people behind it. There was a ton of air-play right off the bat and then it dropped like a broken balloon. Phil Spector once said, "Benedict Arnold was right". I say, "pearls before swine".
Produced by Michael Rashkow (track produced by Rashkow & Greenwich)
All credits the same as Track 13 except:
Background Vocals: Tasha Thomas, Deniece Williams, others
NOTE: The writer, Bobby Lee Fears, at one time in his career joined up with the former segregationist Governor of Georgia, Lester Maddox to form one of the strangest double acts in history.
WE WILL UPDATE WITH NEW DETAILS WHEN THEY COME TO LIGHT.